Friday, April 24, 2015

"Collecting Art and Other Stuff" by John Pototschnik

We are please to share an excellent post from one of our artist's blogs, John Pototschnik, about art collecting. You can visit his website here. We think this is a wonderful list of things to keep in mind if you are looking to start your own art collection. Thanks John!
Collecting art or other stuff
Posted on January 25, 2015

…some of value…others…not so much.

If there is something on this planet that hasn't been collected, I don’t know what it is. If it has a physical presence, it’s probably been collected by someone, somewhere, at some point.
In my childhood, I collected stamps, coins, and baseball cards. Even today, there is still an urge to collect stuff. Show me a well made box, a beautiful bottle, jar, or vase, and it becomes difficult to find a reason not to keep it.

Show me an artist, and I’ll show you an art book collector.
...and this is just a very small collection
...and this is just a very small collection

There are two kinds of collectors, the haphazard/recreational collector and the serious/purposeful collector.
 This would be, on a good day, a haphazard collection. Junk, most of us would call it.
This would be, on a good day, a haphazard collection. Junk, most of us would call it.
Here's a serious model car collection, one I wouldn't mind owning.
Here's a serious model car collection, one I wouldn't mind owning.

Most of us are what I would call the haphazard type. We collect stuff because we like it, it makes us feel good, satisfies some need within us, and someday we think it will be worth something.
Art collecting can be like that…and is, for most of us. My wife and I generally fall into that category, with some exceptions. Basically, we buy what we like, of good quality, affordable, and that fits well in our home. When it comes to art, our purchases are seldom planned.

The serious/purposeful collector is totally different. Their approach to collecting is like a good novel. It has a beginning, a middle and an end…and all the individual actors have an important role to play in completing the story.
Political button collection
Political button collection
Lunch box collection
Lunch boxes are collectible
...so are light bulbs
...so are light bulbs

...even postcards
…even postcards

Although there are some significant differences between the two types of collectors, all of us regardless of what we collect, can certainly benefit from the knowledge and experience of the serious collector.

So, here are a few helpful tips for those collecting art.

1)  Only buy art that appeals to you. Be true to your personal taste. Acknowledge that you like certain types of art and don’t be swayed by what is fashionable or what others suggest you should like.
How about some marbles...or paintings of marbles?
How about some marbles...or paintings of marbles?

…or dolls?
...or dolls?

…or maybe thimbles?
...or maybe thimbles?

OK…spoons!
OK...spoons!

2)  Educate yourself. Familiarize yourself with all types of art. This will help solidify what appeals to you. You may even find that your taste will change. This education may be gained through art history books, museums, galleries, art expos, auctions, art magazines, etc. Figure out why some paintings “connect” with you while others do not.

3)  Do your homework.  Learn all you can about the artist, credentials, price structure, subject matter, genre of art, etc. How does the quality and price of your chosen painting compare with the artist’s other works…and how will it help complete your collection?

Colored glass collection
Colored glass collection

4)  Be an informed buyer. Learn from those who have knowledge of the art market, gained through personal experience. Establish relationships with other art collectors, galleries, auction houses, etc. Read books about collecting art. Have a variety of sources, not just one or two.

Collection of matchbooks
Collection of matchbooks

5)  Have a purpose and plan for your collection. The serious collector does not purchase any and everything they like and can afford. Instead, they narrow down and focus very specifically on particulars. For example, California Impressionists between 1940-1960, or Rockport, MA harbor scenes, or the art of William Merritt Chase’s students. Now if your’re collecting Barbie Dolls, you might want to focus on Vintage Barbie’s from 1959-1966 with dark hair and ponytails.

Good collections are well thought-out so that all the pieces in the collection relate to one another in some way. A good collection can enhance one’s understanding of a certain period of art, culture of a particular era, or even stylistic changes during an artist’s career. As each piece adds to the whole, the whole becomes greater than the sum of its parts.

6)  Now, my favorite form of collecting would be fine art paintings by my favorite deceased masters. However, don’t view art primarily as an investment. I have a close friend who jokingly, every time I see him, asks how I’m feeling…suggesting that maybe I might have been diagnosed with some rare, incurable disease that will soon result in a dramatic increase in the value of his art collection. Not so fast. Investment potential of art can be somewhat unpredictable.

"Portrait of Rembrandt with Gorget" - 14.87"x 11.38" - Oil  (1629)
"Portrait of Rembrandt with Gorget" - 14.87"x 11.38" - Oil  (1629)

7)  Go for quality. Buy the best you can afford. It’s better to have a small, quality collection rather than a large, average one.

John Pototschnik is an Art Renewal Center Associate Living Master
To view his website click here

Saturday, March 14, 2015

2015 Collector's Exhibit

We are please to have a guest blog entry by Hannah Chow for our newest exhibit! Please enjoy!

 SouthWind Gallery is pleased to bring you an exclusive
 invitation of SouthWind Art Gallery's 2015 Collector’s
 Exhibit. The gallery is featuring over 40 works from 20
 regional artists representing the state of Kansas. Before
 the 2015 Collector’s Exhibit is open to the public, owner,
 Gary Blitsch, and assistant gallery director, Alex Olson,
 has invited members of the art community, collectors and
 buyers, to examine the work during an exclusive art event.

 Gary Blitsch and his team always take time to ask gallery
 visitors, “Which painting is your favorite?” They greet
 each visitor with a jovial smile and instill an appreciation
 for art that remains deep-rooted. Visitors and guests will
 be able to see new and old work from their favorite regional
 artists including, Louis Copt, Allan Chow, and Kim
 Casebeer.

 In preparation for the exhibit and collection, Gary Blitch
 knew he wanted diversity in size, style, and price. He
 requested one big and one small work from each selected
 artist. Each art piece represents the state of Kansas in a
 unique yet identifiable way.

 Louis Copt represents Kansas through his landscape
 paintings. He works with oil, acrylic, pastel, and
 watercolor and has led numerous paintings workshops of the
 Kansas Flint Hills. Copt tries to sustain high standards of
 excellence in his own artistic expression and it shows in
 his work.

 Allan Chow is a Malaysian Chinese born landscape painter who
 currently resides and owns a studio in Kansas City. His main
 medium is oil on canvas. He loves sharing his interpretation
 of the Kansas Flint Hills through landscape painting. Chow
 paints with a palette knife, applying thick impasto in
 brilliant colors found only in dreams. He can create an
 extraordinary three-dimensional experience for his
 audiences. During his exhibitions, viewers find it difficult
 to resist the temptation to touch his paintings. Allan has
 established a national following with his sophisticated
 style and obvious passion for painting.

 Kim Casebeer was born and raised on a family farm in Kansas.
 It’s obvious that Casebeer’s deep-rooted inspiration is
 pulled from the beauty of Kansas landscapes. She likes that
 the simplicity of rural landscapes allow her to focus on
 what’s important in a composition. Casebeer’s main
 medium is oil on canvas.

 Learn more about Copt, Chow, Casebeer, and 17 other
 artist’s superlative work by traveling to SouthWind
 Gallery (3074 SW 29th Topeka, Kansas) for a sneak peak of
 the 2015 “Our Home Town” Collectors Exhibit. After being
 greeted with Gary and Alex’s hospitable smiles, ask

 yourself, “Which one is my favorite?”



Gallery Hours: Monday – Friday, 10:00 a.m. – 6:00 p.m. and Saturday, 10:00 a.m. – 4:00 p.m. SouthWindArtGallery.com
Framewoods of Topeka Gift Certificate Cards make the perfect gift for any occasion!  Gift certificates are good as cash for anything in the store — custom framing, gifts and even artwork at SouthWind Gallery Gift cards may be purchased online or at the store in denominations of $25, $50, $75, or $100.   
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Thursday, February 12, 2015

Zak Barnes: Indefinable Talent


Zak Barnes joins Michael Young to provide Topeka's residents and visitors with a fun show full of surrealistic art featuring bold, bright colors. Come in and view the colorful works in "Off the Wall." The artwork comes down Feb. 28, so come in now for your chance to inspect his works in the "Off the Wall." If you've already been in, this show has so many intricate and interesting pieces you'll see something new upon return.

Interested in learning more about Zak Barnes? Watch this video interview and read on.

For those who have seen his work, it comes as no surprise to most that the inspiration for Zak Barnes' art comes from his home state of Kansas. His impressionistic plein air landscapes reveal a deep connection to his prairie roots, as does his studio work, which he describes as "loose narratives" with references to Midwestern folk art and Surrealism.

Zak has developed two distinct styles that are strongly influenced by a sense of "place" – the plen air landscape that captures timeless elements of earth and sky, and the narrative that mixes the recognizable with the improbable. Both his landscapes and more Surrealistic paintings have captured the attention of collectors from all walks of life.

The artist finds fulfillment in everyday life, taking to the road, being out in the open, loading and unloading the truck and dogs. He goes through phases where he paints in plein air. There is a physical as well as mental work in the process so it becomes a meditation and a practice. Working on site demands a concentration of attention and quickness of hand because the light changes with each passing moment. Zak paints with a brush and pallet knife, using thick impasto strokes to express his experiences and sensations through color and light.

Blog post written by Sharon Hotchkiss


Gallery Hours: Monday – Friday, 10:00 a.m. – 6:00 p.m. and Saturday, 10:00 a.m. – 4:00 p.m. SouthWindArtGallery.com